The Medium's Session

Zeitgeist Gallery is pleased to present The Medium's Session, a group exhibition curated Nashville-based artist, Patrick DeGuira.

The Medium's Session brings together a diverse group of artists who engage a conversation between the logical and the periphery of the unknown.

The exhibition's title refers to the notions of the medium as a material and the medium as a channel, while the word session is derived from the word séance, which acts as a commentary on the devoted activity of art making.

Together, the works in this exhibition present an astute mix of post-minimalism, abstraction, and scientific realism that renders austere meditations on materiality and modes of consciousness.

date:
July 13 through August 31, 2013

artists:

Emily Clayton/ nashville
Kevin Cooley/ los angeles
Adam Henry/ nyc
Ron Lambert/ nashville
Phillip Andrew Lewis/ chattanooga
Reuben Lorch Miller/ nyc
Chris Roberson/ nashville
Chris Scarborough/ nashville
Brent Stewart/ nashville
Lars Strandh/ oslo
Frances Trombly/ Miami

Installation

Chris Roberson, Smile Variations #2 (racked) Simu ink and acrylic on paper 44x30" 2013

Ron Lambert, Said Something wood, steel, plaster, lights 2011

Adam Henry; Two Paths One Slightly Longer Than the Other - 2012; synthetic polymers on jute over linen diptych, each panel 28x24 in.

Chris Roberson, Drub 2013, MDF and enamel, 22 x 36 x 3"

Chris Scarborough, Moon 2012-13, Archival digital print, 30 x 37.5"

Chris Scarborough, The Sea 2012-13, digital C-print, 30 x 37.5"

Emily Clayton, Coupling archival pigment print 2012

Emily Clayton, Bummer 2012, acrylic and dye on cotton, 42 x 83"

Frances Trombly, Box (Brown Paper and Packaging) 2008, handwoven fabric, embroidery, packing tape, 47 x 25" and Box (Paper Mart) 2008, handwoven fabric, embroidery, packing tape, 25 x 17"

Lars Strandh, untitled 2013, acrylic on linen, 27 x 27"

Reuben Lorch-Miller, Architecture of Invisible Structures 2010, collaged photocopies, 24 x 18"

Reuben Lorch-Miller, Ghostship 2010, collaged photocopies, 24 x 18"

Brent Stewart, Blushes of the Holy Beast 2013, dry pigment on canvas, 16" x 16"